It wasn't just the horse that refused to work. For three days, virtually everything I touched frustrated. By the third day, impatience had grown into crankiness - a really good sign that I had to do something about it. I'd have worked on it even sooner if I'd realized where I was heading.
Anyway and luckily, I've done this for a long time and have learned to check in on a few possible culprits. (They were downgraded to 'possible' from 'probable' years ago, but those little bastards know how to dig themselves in.) Because I invented them, invited them in, it's easiest to ask myself the following questions straight out:
1. Is there any - and I mean ANY - part of me focusing on applause or admiration or flickering daydreams of them gasping and grasping, finally, my genius?
This is a very private thing and no amount of talking about it in a pub will clear it up. I obviously really like sharing my work and want to do stuff that's good for my career and I even have visions of doing projects that speak to a big old audience, but I have to do that from the business part of mind mind, not the creator part.
2. Am I holding on to stuff just because I did it?
Oh, THIS was a problem when I first started animating. I told myself - PROMISED myself - that I'd just 'try it out' but after hours and hours of work, my brain's hands would wave all over the place while it shrieked: I can't! I can't do any more! Oh, those were some ugly moments. When I started teaching Flash to kids, it's one of the first things I tried to impress on them: let it go.
If the computer blows up, you haven't lost anything at all. You've been teaching yourself SOMETHING, guaranteed, and often, if what you had was great and wonderful and wanted desperately to be in the world, you'll be able to recreate it - only better.
The thing is, some things need marinading, need revisions, need re-doing. It's a good thing, to throw stuff away. To stop and start all over. Clinging to what doesn't work is making a contract with a poverty consciousness. When I hear any echo of 'I can't,' I know it's true.
I'm pretty committed to 'I can.'
3. Am I paying attention? Am I receptive? Am I loose?
Or am I letting some irritation nag at me, some tiny resentment I thought was hidden away scratch its way to the surface? Sometimes, it'll just distract. Sometimes, I'll find myself overcompensating.
I take the time to set it straight with some spiritual exercising. This is probably why I'm addicted to forgiveness and being really big grateful for all the creative juice I can squeeze out. THIS is where I want to be, buoyed by bliss-y stuff.
4. Am I doing the work? Am I pushing my boundaries and edges and DOING the work?
This last one was the gangster that came to stay for three days. Jeeeeeze.

Although I'm a self confessed not-looker-up of reference material, I'm otherwise typically all about the work. I like it. Everything I do, even the tedious stuff, informs the final outcome. To know more is to have a richer vocabulary I can access (and I don't mean a vocabulary of words, but of ideas and techniques). I'm not anal or fastidious - I just enjoy the sensation of discipline and the results (even if the process can be difficult - see this new program I'm learning. It was hell, it was hell, it was he- Oooh! Suddenly, all the pennies dropped and stuff started working!).
BUT. Sometimes, I'll decide to try something new. And I'll forget that I only got where I am after work. Some how, I allow myself to be deluded into thinking that by sheer force of wanting it, it'll work out.
It's bad enough when it happens on one project. I was doing it in three - a script, a horse animation and a painting.
So. I let the script go and started new. Yesterday I painted alllll over the increasingly terrible painting and got at least a sketch up of my happy woman. And the horse? Well ...
